A stage reading of the all-new musical The Troupe by Manhattan’s Prospect Musicals. The Troupe is a tragical, comical, historical musical. Music and Lyrics are by Peter Mills. The book is by Peter Mills & Cara Reichel. The show is directed by Cara Reichel. Prospect Musicals fosters and showcases today’s new voices shaping tomorrow’s musicals. In a pioneering spirit, we develop and produce new musical theater works. We sustain a supportive network within our field, including an artist alumni community of over 2,000 creative professionals shaping the next generation of the American musical. We provide a forum for artists and audiences to connect, and we nurture the work of this vibrant community by creating an inclusive space where fearless choices are possible. Peter Mills is a critically-acclaimed composer/lyricist working in musical theater. He has taught musical theater writing at Princeton University and New York University. Most recently, he wrote lyrics and music and co-wrote the book for the hit Off-Broadway musical, The Hello Girls (4 Outer Critcs Circle nominations, 3 Drama Desk nominations, Drama League nomination for Outstanding Production of a Musical, and an Off-Broadway Alliance nomination for Best New Musical.) Prior to that, he wrote lyrics for The Honeymooners (Paper Mill Playhouse, October 2017, dir. John Rando.) As a composer/lyricist, his other shows include Illyria, The Flood, The Underclassman, and Golden Boy Of The Blue Ridge. He has received numerous recognitions from the theater industry in encouragement of his work, including: the 2010 Kleban Prize for lyrics, the 2007 Fred Ebb Award for emerging songwriters, the 2011 Cole Porter Award, 2006 Drama Desk Award nominations for his show The Pursuit Of Persephone (Best Music and Best Orchestrations), the 2003 Richard Rodgers New Horizons Award from the ASCAP Foundation, the 2014 Donna Perret Rosen Award from Second Stage Theatre, and a 2002 grant from the Jonathan Larson Performing Arts Foundation. With composer Deborah Abramson, he was chosen as a 2000-01 Dramatists Guild Fellow. For his show, Death For Five Voices, Peter received a prestigious 2015 Fellowship at the Bogliasco Foundation in Italy. The show subsequently had its international premiere in 2015 at the Castello di Gesualdo and was performed the Teatro Carlo Gesualdo in Avellino, Italy. He supplied lyrics for Iron Curtain, (book by Susan DiLallo, music by Stephen Weiner), which received the 2006 NYC Innovative Theatre Award for Best Musical. The show was workshopped at the prestigious 2008 Eugene O’Neill Musical Theatre Conference and showcased at the 2009 National Alliance for Musical Theater (NAMT) Festival of New Musicals. Iron Curtain had its regional premiere at the Village Theatre in Washington state in March 2011, and received an Off-Broadway production in New York City in November 2011. His musical Golden Boy Of The Blue Ridge, a bluegrass adaptation of J.M. Synge’s Playboy of the Western World set in 1930s Appalachia, was showcased at the 2011 NAMT Festival of New Musicals and had its regional premiere at the Cumberland County Playhouse in Tennessee, in August 2012. An original cast recording is available on Amazon.com. Illyria, his musical adaptation of Twelfth Night, had its regional premiere at The Shakespeare Theatre of New Jersey in Fall 2004, with a cast album released in April 2005, and an Off-Broadway run at the Hudson Guild Theater in 2008. The show is now licensed by Theatrical Rights Worldwide and has had numerous productions around the USA. His first full-length show, The Taxi Cabaret, was published by Samuel French in 2004. Peter also teaches musical theater writing, most recently at NYU’s Graduate Musical Theater Writing Program (First-Year Lyric Tutorial, Spring 2017) and at Princeton University’s Lewis Center For The Arts (Atelier Program, Fall 2017). Peter holds an M.F.A. in Musical Theater Writing from New York University’s Tisch School for the Arts and a degree in English/Dramatic Literature from Princeton University. He is a founding member of Prospect Theater Company. Cara is an NYC-based theatrical director, writer, and producer. Born in Oxford, Mississippi, she grew up in Rome, Georgia, and attended Princeton University. She is the Producing Artistic Director of Prospect Theater Company, which she co-founded in 1998, and is a leader in the field of new musical theater development. Through Prospect, Cara collaborates with fellow company founder, composer / lyricist Peter Mills. Together, they have co-created over a dozen original musicals, including The Hello Girls (multiple 2019 Drama Desk & Outer Critics’ Circle Award nominations), Death for Five Voices, The Underclassman (aka The Pursuit of Persephone), Evergreen, Golden Boy of the Blue Ridge, Honor, The Rockae, The Flood, Lonely Rhymes, The Alchemists, Illyria, and The Taxi Cabaret. Upcoming works-in- process include the musicals The Troupe, Soldier’s Heart and The Mystery of the Somerton Man, and a new comedy, The Resurrectionist. With Peter Mills she has founded a summer arts retreat in Southern Italy, called Nuova Musica. As a director, Cara recently collaborated with Joanne Sydney Lessner and Joshua Rosenblum on the NYC premiere of their musical Einstein’s Dreams (Prospect @ 59E59 Theaters) which received multiple 2020 Drama Desk Award nominations. And, she worked closely with Susan DiLallo, Peter Mills, and Stephen Weiner on the creation of Iron Curtain, an original musical which received the 2006 Innovative Theatre Award for “Outstanding Production of a Musical,” and for which she also received an “Outstanding Director” IT Award nomination. She directed Iron Curtain at the O’Neill Theatre Center (2008), at NAMT’s 2009 Festival of New Musicals, and in its 2011 critically-acclaimed Off-Broadway premiere.? As a bookwriter, Cara is collaborating with Jesse L. Kearney, Alphonso Horne, and Mills on the creation of a new jazz musical inspired by the life of Oscar Micheaux, America’s first major Black filmmaker — with a working title of The Oscar Micheaux Project Originally commissioned through an NEA grant with Prospect, the show was selected for the 2023 NAMT Festival of New Musicals and developed at Goodspeed Musicals’ Johnny Mercer Writers Grove. Cara was recently commissioned by Theatrical Rights Worldwide to create the book for a new, female-forward juke-box musical, The Olympians. She collaborated with lyricist Marion Adler and composer/lyricist Peter Foley on I Capture the Castle, adapted from the beloved British novel by Dodie Smith, workshopped in 2013 in the Pace New Musicals program. She has participated in the Weston Playhouse Artists’ Retreat, and the Rhinebeck Writers’ Retreat developing new works. She was a 2019 Fellow at the Women’s International Study Center (Santa Fe, NM) and received a 2015 Bogliasco Fellowship to conduct research and work in Italy. Also through Prospect, Cara has collaborated with many other emerging and established writers on readings, workshops, and productions of new work, including Michele Brourman, Sheilah Rae, and Thomas Edward West on I Married Wyatt Earp (aka The Belle of Tombstone), Susan DiLallo and Stephen Weiner on Once Upon a Time in New Jersey, Michael Cooper and Hyeyoung Kim on Sunfish, and Randy Courts and Mark St. Germain on The Book of the Dun Cow. She has a passion for re-interpreting classic works and has directed adaptations of The House of Bernarda Alba, Purcell’s DIDO (& Aeneas), Danton’s Death, Twelfth Night, Everyman, and others. Regional directing credits include: The Hello Girls regional premiere at Phoenix Theatre Company (AZ), Once Upon A Time in New Jersey at Surflight Theatre (NJ), Barcelona and The Alchemists for the Village Theatre’s Festival of New Musicals (WA), Sacagawea and Can You Hear Me, Baby? at the Goodwill Theatre (NY), and school touring productions of Julius Ceasar and The Nightingale for GMT Productions (GA). Internationally, she has directed at the Teatro Carlo Gesualdo in Italy, and for Broadway au Carré in Paris, France.? Cara was honored to receive the 2002 “Lucille Lortel Award” for Emerging Women Artists from the League of Professional Theatre Women, an organization which she served on the board and from 2009-2011 as the Vice-President of Communications. She received 2004 and 2007 “New Directors / New Works” Grants from the Drama League, and participated in the Drama League’s 2012 international exchange with Bulgarian theatres. As a theater educator, Cara is a visiting lecturer for Princeton University’s Global Seminar Program (2022, 2024) in Italy, for which she co-created and directed a site specific, immersive musical theater event. She has also has been a Visiting Artist / Lecturer at Princeton University’s Lewis Center for the Arts Atelier Program, through which she will be developing a new stage adaptation of Alan Lightman’s novel “Mr g” in Spring 2024. She has served as a teaching artist at Pace University and Molloy College’s CAP21 Program, and has taught Master Classes for American Theatre Wing’s Springboard Program. ? Cara was educated at Princeton University, from which she graduated in 1996 with an A.B. in Anthropology and a Certificate in Theater, and in the M.F.A. Program for Directing at Brooklyn College, where she was named 2006 “Alumna of the Year.” She has worked as an administrative staff member at Manhattan Theatre Club, American Ballet Theatre, and HERE Arts Center. As a high school student, Cara published a children’s book, A Stone Promise, which she wrote and illustrated (Landmark Editions Inc., 1991), and was a 1992 Presidential Scholar. She is a member of the Stage Directors and Choreographers Society, the League of Professional Theatre Women, a Lincoln Center Directors Lab alum, and a Trustee of the Princeton Triangle Club.